Unity Phelan is a name that has begun to resonate both in the dance world and Hollywood, embodying a unique blend of talent that transcends the boundaries of ballet and acting. Over the past six years, Phelan has carved out an impressive niche for herself, seamlessly transitioning from the stage of the New York City Ballet to the cinematic realm. Her journey through the arts is not just a tale of versatility; it’s a testament to her dedication and passion.
Phelan, who stands at five-foot-eight, has appeared in an eclectic array of projects that highlight her multifaceted skills. From her role as an assassin-in-training in the action-packed “John Wick: Chapter 3 – Parabellum,” starring Keanu Reeves, to her ethereal presence in Charlie Kaufman’s mind-bending drama “I’m Thinking of Ending Things,” her performances are linked by a common thread: ballet shoes. Now, she brings her unique artistry to the Prime Video series “Étoile,” a vibrant exploration of life within the world of ballet.
In “Étoile,” Phelan plays Julie, a star dancer who faces an unexpected twist of fate after a mishap while filming a TikTok video in high-heeled Louboutins. “It’s the first time I’ve spoken on camera and actually acted and worked on scenes,” she shared, reflecting on her transition from primarily silent roles to one where she could truly showcase her acting chops. This series, created by the talented duo Amy Sherman-Palladino and Daniel Palladino, dives into the intricate and often humorous dynamics between two fictional ballet companies—the Metropolitan Ballet Theater and Le Ballet National in Paris.
Unlike the often dark and psychologically intense portrayals of ballet seen in films like “Black Swan,” Sherman-Palladino has taken a refreshing approach with “Étoile.” Phelan recalls the director’s insistence on steering clear of clichéd narratives of eating disorders and backstabbing rivalries, instead aiming for a depiction that balances drama with authenticity. “Amy said, ‘We’re not gonna do anorexia. We’re not gonna do dancers stab each other in the back,’” Phelan explained. “We’re going to be as true to form as we can while still making it dramatic.” Such a perspective offers a much-needed breath of fresh air in the portrayal of ballet, focusing on the real-life camaraderie and challenges dancers face rather than sensationalized portrayals of personal turmoil.
Phelan’s journey began in Princeton, NJ, where she studied at the Princeton Ballet School while indulging her passion for musical theater. “I loved Broadway, and I grew up singing,” she reminisced, sharing how her family’s musical background laid the groundwork for her diverse talents. Her experiences at Ghostlight Theater Camp in Maine helped refine her skills, allowing her to not only pirouette but also belt out show tunes with gusto.
The collaborative nature of “Étoile” has also provided Phelan with invaluable friendships and mentorships. Her scenes with Gideon Glick, who plays the eccentric choreographer Tobias Bell, have been particularly impactful. “Gideon has become a close friend of mine,” she noted, emphasizing the fun and generosity he brought to the set. Such relationships not only enhance the on-screen chemistry but also foster a supportive environment for growth and creativity.
Despite the demanding schedule during the three-month filming process, which saw Phelan performing at prestigious venues like the Kennedy Center and the Vail Dance Festival, she embraced the experience with enthusiasm. “It’s still crazy to me that I got to be a part of this as an actor,” she reflected, capturing the essence of her excitement.
Ultimately, Unity Phelan stands as a shining example of how varied experiences in the arts can converge to create a distinctly rich career. Her ability to navigate between the worlds of ballet and acting not only showcases her versatility but also highlights the evolving landscape of entertainment, where traditional boundaries are increasingly blurred. With an infectious passion for her craft and a commitment to authenticity, Phelan is poised to continue captivating audiences, both on stage and screen.

