Countertenor: Breaking Barriers in Opera
Introduction:
Jordan Rutter-Covatto, a professional countertenor based in New York City, has captivated audiences with his unique singing voice that reaches higher ranges than expected. In this article, we explore the journey of Rutter-Covatto discovering his countertenor voice, the challenges he faced, and how he is creating new opportunities for himself through the arts collective Counter Codex.
Discovering the Countertenor Voice:
Initially studying and performing as a baritone during his college years, Rutter-Covatto’s voice teacher noticed something extraordinary during warm-ups. Intrigued, the teacher suggested he explore singing as a countertenor. Despite the initial difficulty of embracing a different vocal identity, Rutter-Covatto found that his countertenor voice was commercially viable and embarked on a career that led him to the Manhattan School of Music.
The Rarity and Demand for Countertenors:
Professional countertenors like Rutter-Covatto are rare and, therefore, highly sought after. However, the repertoire written specifically for countertenors is limited. To overcome this challenge, Rutter-Covatto has taken on the task of creating new opportunities for himself. He co-founded Counter Codex, an arts collective, with his husband Vincent Rutter-Covatto, an arts administrator at Opera America.
POLYMATH: Deconstructing Classical Music:
Counter Codex’s most recent production, POLYMATH, aimed to deconstruct the traditional recital format by combining classical music with elements of horror. Jordan Rutter-Covatto explains that this fusion resonates with the queer community, as both classical music and horror have significant queer followings. The show featured classical repertoire staples as well as original songs composed by Rutter-Covatto and Joseph N. Rubinstein.
A Multidimensional Experience:
POLYMATH encompassed various art forms beyond music. NYC-based actor Saul Nache performed a live reading of a horror story written by Andre Salas, while pianist Mila Henry provided accompaniment with her expertise in contemporary music. The performance space also showcased a photography exhibit by GDM, featuring portraits of Rutter-Covatto. Vincent Rutter-Covatto played a crucial role in overseeing the entire production, bringing Jordan’s artistic vision to life.
Success and Audience Impact:
POLYMATH’s opening night was a resounding success, with sold-out tickets and enthusiastic applause from the audience. Rutter-Covatto reflects on the impact of their shows, realizing they are reaching an audience whose needs are not being met elsewhere. By creating welcoming and engaging performances, the interest and appreciation for countertenor music continue to grow.
Conclusion:
Jordan Rutter-Covatto’s journey as a countertenor showcases the power of embracing one’s true voice and breaking barriers in the world of opera. Through his artistic vision and collaboration with Counter Codex, Rutter-Covatto has created a unique space for countertenors to thrive. By combining classical music with unexpected genres, he has successfully engaged and captivated audiences, leaving a lasting impression on the world of opera.
